It has been a crazy few months around here with the work, family vacations, kids school starting, etc. I am trying to get back in the swing of things and finding my new balance.
The last few weeks I had been struggling to feel inspired on what to paint and create. In an effort to get inspired I decided to watch some other artists youtube channels. I found that a lot of the artists I was watching were combining pan pastels and Faber Castell Polychromo colored pencils. So I decided to order some from Dick Blick. When they arrived I started experimenting with different layers of pan pastels, the colored pencils, and Pastel Pencils on Uart sanded paper. The results were exhilarating. It sounds strange to be exhilarated about drawing with pencils on sandpaper but for this artist struggling with artist block it was just what I needed. While doing my little sketches my brain started generating tons of future project ideas.
One of those projects was a series of owl drawings. I love owls. They are beautiful birds with such big eyes. I have now finished the first two owls in the series.
Here is a timelapse video that I recorded while I worked on the second owl.
I cant wait to share with you more from this new series I am working on.
A few months ago I was asked to do a commission of a home set in the wintertime but not set during the holiday season.
This offered a challenge because I couldn’t rely on holiday lights and decorations to keep a winter scene from looking tired and dull. I wanted this picture to convey the magic of winter while showing off the home. I didn’t know the best way to portray that. I brainstormed and sketched the house during different times of day, with various amounts of snow, etc. I ended up liking several of the ideas but I didn’t love any of them. Then one evening I had to go to the post office. I walked outside right as the colors of the sunset were being reflected in the snow. Oranges, pinks, purples, and blues filled my eyes from heaven to earth and I instantly knew how I wanted to paint the scene. A little over 30 hours later the painting was completed.
My client and I were thrilled with how the colors perfectly showed off the beauty of this hillside home.
I had the fun opportunity to work on a commission that featured a house from my hometown. I grew up only a few miles away and saw this house almost everyday. I went to school with their kids from elementary on up to college. My mom taught them piano lessons and I went to girls camp with their daughters. So when their kids asked me to do a commission of their parent’s home I was ecstatic.
There is something endearing and personal about painting a picture of a home that you know so well for a family that you love and respect.
I know exactly where the home I grew up in is in relation to this house and the mountains featured in the background. As a result I began feeling home sick while painting this picture. I think part of it is that was from knowing I wouldn’t be coming home for Christmas this year for only the second time in my life.
The other reason I started feeling home sick was that painting this made me really reflective of my childhood, the people I grew up with, life long friends I made, and the adventures I went on hiking the mountains in the background. Even though I didn’t always appreciate it as a kid I was blessed to grow up in town I did.
The reference photos that were sent me for this commission were beautiful photos from the previous Christmas. The photos showed off the beautiful pink glow the mountains get as the sunset is reflected on them with the cozy house situated just beneath.
They wanted the house to look and feel like it was Christmas Eve. To me this meant the house needed to glow with feelings of warmth, joy, and love. So much so that it would make you wish you could jump right in and be part of the celebration.
A few weeks ago I was able to complete an autumn themed house painting. This painting was really fun to work on because autumn allows me to use more colors than I traditionally get to use in landscapes. I love it when I can pull out my full Chroma red, orange, yellow, greens, teal, and violet pastels and use them quite liberally.
While painting a home seems pretty straightforward they can actually have their own unique set of challenges. For example, a reference photos might be set in the wrong season and I have to figure out how the yard and house would change with it being winter instead of summer. This commission in particular had several challenges. My reference photos were from the summer and the painting was supposed to set in the fall. I also needed to age the landscaping up. The home I was asked to paint is only a year old without any mature trees in the yard. So I had to research the types of trees they planted in the yard so I could paint them to resemble how they will look in the future. I also had to adjust where some of the landscaping was in the yard including the fence so it didn’t block too much of the house. I also removed the shop behind the house and the neighbor’s home on the right. The extra buildings were distracting and removed the focus from the house.
Like I always do with commissions or complex pieces I used a quick sketch to work through any potential problems. Doing the sketch I was able to figure out the sizing for the house, proportioning of the trees, how I want the branches to grow, sky to look, and shadows with the sun setting on the left side of the house.
Thankfully, the final piece ended up being over 4 times the size of the sketch and was more able to accommodate detail. The texture and detail of the house was more important on this home than on my previous home paintings. Because this house has rock, brick, and stucco it was really important to differentiate the difference surfaces so that the house didn’t look flat. When a home is all siding its really easy to imply the surface with just a few horizontal lines.
Lately, I have been into adding unusual colors in in areas of the painting toward the end of the painting process. With this autumn scene I really loved the effect that teal, bright purples, and royal blues had in the shadows. I particularly loved what it did to the shadow side of the tree trunks. It kept them visually interesting without being distracting.
I was really excited to with how this painting turned out and was excited to give it to its new owner in person. Seeing her face light up when looking at is the reason why I paint.
I wish I had had a chance to get a better picture of it before I delivered it but my tight schedule didn’t allow for me to wait for natural lighting (an increasingly scarce resource with winter setting in). The colors in this picture are even more stunning in person.
When I first started using soft pastels I started with a small ten dollar store brand set. They felt and responded more like colored chalk than actual soft pastels. All the colors were anemic and the only dark color was black. I found them difficult to work with and couldn’t get the look I was trying to achieve.
Years later when I started painting with watercolor regularly I learned the difference between child grade, student grade, and professional art supplies. This knowledge changed my entire art experience. I was no longer frustrated with how weak my watercolors were in saturation. I remember my first time painting with a set of good quality watercolor paints and feeling so relaxed as I painted. I didn’t feel like I had to fight my paints anymore. Creating the pictures that were in my mind started to happen more easily.
A few months after this experience with watercolors I became inspired with some beautiful soft pastel paintings I had seen demonstrated on the show “Color in your life.” Seeing these artist work inspired me to pull out that ten dollar set again experiment with the pastels.
I learned that soft pastel artists often work on sanded surfaces so I went to the garage and pulled out some sandpaper to experiment with how the pastels responded to a different surface.
Being older and having a better understanding of art I could more objectively analyze what I liked and disliked verses being a kid and just throwing my paper way after getting frustrated. I liked how the pastels layered, it was a fast medium to work in (like watercolor), and how you could achieve easily achieve an impressionistic effect. I liked how the sanded paper held the pigment and allowed for many layers compared to my cold press watercolor I had been experimenting on. I didn’t like how my set was so chalky and didn’t have much pigment to it. As a result of this experimentation I decided to see what decent quality pastels I could find for a reasonable price. I ended up finding this koh-I- Noor pastel set and a Sennelier (yay!) 60 half stick set on amazon for really good deals. So I ordered them along with some Uart sanded pastel paper.
Getting those pastels was one of the best decisions I’ve made in regards to art. I experimented, played, and learned as much about pastels as I could find online. I watched hours of free YouTube tutorials and tried different techniques. I learned that I absolutely love this medium. It filled in the gaps that watercolor couldn’t quite fill. I learned I especially love painting pastel landscapes. Which was perfect because I typically dislike painting landscapes in watercolor. I also liked how easy it was to fix mistakes.
Since getting those two sets of pastels my pastel collection has grown by quite a lot. I have since tried pan pastels, mount vision pastels, Richardson’s, nupastels, Stabilo CarbOthello pastel pencils, Schmincke, and my current favorite terry Ludwig pastels. Each brand and type of pastel has its own characteristics that I am learning how to utilize. I hope to do reviews on these pastels types of the next few months.
Have you ever worked in soft pastels? If so, do you have a favorite brand? Leave a comment down below letting me know.
The other night my kids were all asleep by 8 PM (Hallelujah!) and my husband was gone working a 24 hour shift at the hospital. It had been a rough day; the morning was spent fixing things that hadn’t gone to plan. Kids fought, my three year old decide he didn’t want to poop in the toilet anymore, naps/quiet time didn’t happen (not for lack of trying on my part), and the list goes on and on. My anxiety and stress levels were high and all I wanted to do was binge watch TV shows on the couch while carb loading on cake. As I was about to turn on the TV I asked myself if that would really help me feel better. The answer was no. TV doesn’t help me de-stress and sugar certainty doesn’t. In fact, they usually make me feel worse because I feel regretful about the wasted time and sick from the sugar hangover the next day. Thus, causing me to feel worse and more likely to repeat it again the next day.
So with my answer I got up and made my way to my studio, A place that I had barely been in the past few weeks. Between going to visiting family, family visiting us, potty training previously mentioned 3 year old, and then getting a kidney infection there hasn’t been much time left to paint. This lack of studio time is a big reason why I could the stress and anxiety building up inside me. Painting is my job but more importantly it is what brings balance to my life. When I feel like my personal identity is threatened to be washed away by the demands of my husband’s schooling, motherhood, owning a business, and just regular adult stuff I retreat to my little studio. I shut the door and spent time with beautiful colors. On this particular night I turned on some dancing music, picked out a reference photo, and started. The picture I picked was a sunset picture from our summer trip to Seattle. I wanted to get right to work so I just used the pastels that were already sitting out.
My Goal that night wasn’t to create my best piece of work but to break the cycle of putting off painting until I had time or felt inspired. It was to feel the stress leave through my fingertips with each stroke of the pastel. It was to change my perspective of the day. Instead of feeling bad that the first part of the day went so poorly I could be happy that my kids went to bed easily and early thus, leaving me with the entire night to paint. Instead of feeling bad that I hadn’t seen my husband awake for more than an hour the day before and wouldn’t be seeing him for another fifteen hours I could be glad that he has a job he loves. Painting gives me time to process and gain perspective on my life.
I came upstairs a few hours later feeling rejuvenated. The responsibilities that are still on my shoulders felt lighter and more like an adventure pack taking me on new adventures instead of a punishment.
Ps. This painting was actually really difficult to do with it such having such strong contrasting in colors. I will have to try it again on a large piece of paper and I use what I learned from this sketch.